“I found it highly enjoyable and very funny,” said Anna Wintour at the premiere of The Devil Wears Prada 2 on April 20, 2026. This statement marks a striking departure from her previous hesitance regarding the original film, which was based on Lauren Weisberger’s experiences working under her at Vogue.
Wintour, who has long been a towering figure in the fashion industry, initially worried that the film would depict her in an unfavorable light. She once remarked, “I think the fashion industry was very sweetly concerned for me about the film, that it was going to paint me in some kind of difficult light.” Yet, with Meryl Streep’s iconic portrayal of Miranda Priestly, audiences embraced the character as a cultural icon.
The sequel, which premiered on May 1, 2026, has prompted renewed interest in the franchise. Meryl Streep’s performance earned her an Academy Award nomination for her role as the formidable editor-in-chief. Interestingly enough, Wintour has recognized this cultural overlap between herself and Miranda Priestly—something she seems to have come to terms with over time.
Key moments surrounding Wintour’s involvement:
- Wintour attended the premiere of The Devil Wears Prada 2, signaling her full support for the project.
- She appeared on the cover of Vogue with Streep, further aligning herself with the film’s narrative.
- Wintour stepped back as editor-in-chief of Vogue in June 2025 after an impressive 37-year tenure but remains Vogue’s global editorial director.
The shift in Wintour’s attitude suggests a broader acceptance within the fashion community regarding how pop culture can shape perceptions of its leaders. After all, many people now see these films not just as entertainment but as reflections of real-life dynamics within high-fashion circles.
As we reflect on this evolution—both for Wintour and for the franchise—it begs the question: How will this newfound embrace influence future narratives in both fashion and film? The cultural implications are vast and still unfolding.